“Her Private Hell” takes up where “The Neon Demon” left off — or maybe I should say where “Twin Peaks: The Return” left off, since the new movie plays like a knockoff of David Lynch at his most bafflingly obscure crossed with the hellscape fetishism of Gaspar Noé crossed with the world’s most avant-garde perfume commercial (which makes sense, since directing avant-garde perfume commercials is how part of Refn earns his living).
Portuguese director-producer Leonel Vieira, the filmmaker behind Portuguese box office hit “The Courtyard of the Ballads” (“O Pátio das Cantigas”),…
Twickenham Film Studios has launched Twickenham Investment Services, a new FCA-regulated introducer business that connects film and television producers with…
“Gabin” is far from the first film — nonfiction or otherwise — to make a longterm investment in a child…
For years, Shrek was considered the ugly stepchild of the DreamWorks empire. The way director Andrew Adamson saw it, company co-founder Jeffrey Katzenberg…
